Margaret Dier – a thread painting and silk shading expert
For those who don’t know who Margaret Dier is, she is an RSN trained embroiderer, who has specialised in silk shading. She creates the most beautiful pieces of silk shading, and is a real ‘expert’ in the technique. Whilst a lot of embroiderers, hobbyists and professional alike, are a little scared by the technique, Margaret has embraced it, and creates true works of art. If you would like your own piece of her art work, you can pick up one of her embroidered pieces of jewellery from her Etsy shop.
Like many, I was eagerly awaiting the release of her first book when I heard about it. And it didn’t disapoint!
An overview of the book
The book is a wonderfully written book, covering the techniques and some projects that fall under the definition of ‘silk shading’, ‘thread painting’ or ‘needle painting’.
One of the things I like about this book is that whilst it is focusing on the technique of ‘silk shading’, a lot of the tips are relevant for other techniques that you may be interested in.
Two of the most important chapters – for me!
For me, two of the most important chapters in the book come right at the start – before she addresses how to set up your frame and work to begin stitching!
The first is on ‘inspiration and design’. This is one of those chapters that can apply to any technique! Not only does Margaret talk about what can be suitable ideas for you to embroider, but also how to photograph something so it is optimal for your embroidery. She then extends on this by talking about how to refine your design for embroidery, along with what does and doesn’t work in silk shading.
The second of these ‘important’ for me chapters is the second chapter – and it is all about colour theory. I’ve heard several people say that it takes years to develop a thorough understanding of colour. So whilst it is something that does take practice, I found this chapter very interesting, and is one I will be referring to quite a bit in the future!
Moving onto materials and equipment
We then come to an incredibly comprehensive couple of chapters covering materials and equipment.
Margaret gives comprehensive instructions on how to set yourself up on either a slate frame or in a hoop.
She then goes on in detail and talks about the different types of fabrics that are suitable to use, along with the range of different threads that can be used in this technique. This isn’t just a list of what you can use – there is a section devoted to each that talks about the pros and cons of the threads, along with how to use them.
And in such a thorough book, as expected, you will find plenty of detail on needles, the types that are useful in this technique, and some guidance on light and magnifiers.
This first section on design, inspiration, colour, equipment, materials and setting yourself up takes up the first 40 pages of the book! I found it all to be very comprehensive and clear, and suitable for anyone interested in embroidery.
Moving onto the exercises and projects
The next section of the book is where you get to the exciting, stitching part of the process!
Margaret walks you through how to thread a needle, the difference between tapestry shading and long and short/silk shading, along with a few other stitches you may need to enhance your design like French Knots. The one question which she doesn’t however answer is ‘how long’ should the stitch be. Her answer is the fairly standard ‘it depends’ answer – though she does give a range of between 8mm and 15mm for tapestry shading.
When at the RSN, one thing you learn one way or another is the importance of planning. And this is reiterated in this book! Before we get to the ‘real’ stitching, we are learning the importance of stab stitching the two pieces of fabric used together, the stitch direction plan, the shading plan, and the order of work.
The next few chapters in the book are devoted to particular styles within the classification of ‘silk shading’. The first is tapestry shading, followed by natural shading (which has some interesting points on how to get the ‘messy’ look of fur and feathers that I want to try!) and how to embroider circular objects, like a tomato. I found a lot of points in here very interesting, and I wish I had have had this book to read before or whilst I was stitching my RSN flower! I will now be spending more time before stitching – learning about the thread colours I have chosen, and will take the time to stitch samples of how they all blend together. This looks like it is an invaluable exercise to undertake before each and every project!
A look at historical pieces and other cultures interpretations
Just in case you weren’t convinced of Margaret’s creativity, here you get a real sense for it! She shows you a number of different ways and mediums you can explore as you bring your needle and thread to life. The use of beads, felt, padding in silk shading, using the background fabric as a shading and stumpwork are all used in wonderful ways to bring to life images and ideas.
Finishing your work
Something I do not like to do and was never particularly good at doing! But I guess it would be remiss to exclude the topic in a book like this.
Margaret works through a few ideas, and gives, as we’ve become accustomed to, thorough instructions on how to finish your work in a few different ways. With her wonderful Etsy shop, it is probably not surprising that jewellery settings is her first demonstration!
And of course, the mounting for framing is covered as well. She does things a little differently to how I was shown, so I may make a few changes to the way I do my next couple of pieces to try out these little tweaks to the mounting process.